An Apple Event Shot on iPhone

As you probably have heard/seen already, Apple held the first evening keynote/event to announce M3 Macs on October 30th.

I’m already asking: M3 Ultra, when?

But the real surprise, or One More Thing in Apple parlance, was the last card at the end of the event stream.

It almost overshadowed the new M3 chips & Macs and proceeded to generate discourses on what Apple really meant by “shot on iPhone.”

Apple-the master marketers of technology, released the following video as if they were expecting the discourses. And the video revealed the production & the post-production workflows of their events for the first time, because it highlights their biggest product, even if it steals spotlights away from new Macs. And the accompanying article details more with the behind-the-scenes photos.

The biggest takeaway for the people, most notably the post production professionals using Final Cut Pro X, was that Apple didn’t use its own NLE software to make their biggest videos. Haha…

Its post production workflow appears to be (and remains to be, I might add) Premiere Pro + After Effects (not shown in the video), and color + finish in DaVinci Resolve.

However, I wasn’t a least bit surprise because I worked at RadicalMedia, the production company behind the Apple virtual keynotes & presentations since its inception (due to the pandemic). It may haven’t been a public knowledge until Apple acknowledged & credited the production company in the video. No, unfortunately I didn’t get a chance to work on it but I’ve talked to coworker(s) about their experience (without knowing that I will be working on an Apple TV+ project later).

I know that the production chose Premiere Pro to edit, neither FCP X or Avid, because it offered faster turnarounds of GFX & VFX with After Effects integration.

A real surprise to me was the new BlackMagic Camera app, because the first Shot on iPhone 15 commercial was the Olivia Rodrigo music video, which used the default iPhone camera app.

Either the Blackmagic camera app wasn’t available at the time of filming, or Apple doesn’t want to show another company app in its commercial for average consumers.

All in all, this has been interesting turn of events for video professionals as Apple embraces and incorporates more professional features, gears, and apps to highlight its growing platforms, rather than pushing/forcing their own solutions.

Because at the end of the day, Not Invented Here is a dangerous path for a big tech company like Apple.

p.s.

Stu Maschwitz wrote more in-depth article about what does and doesn’t matter about Apple shooting the event with iPhone 15 Pro Max.

“Apple wants to sell iPhones, and to accomplish this, they spared no expense to put the very highest image quality on the screen.”

Yes.

"The Last of Us" Editors on Its Editing Secrets

The Last of US is my favorite show of 2023 so far, and I love how the editors explain their tricks and trades of making the little moments of characters shine in these The Editing Podcast videos..

I can’t wait to see how the editors will shape the stories for the season 2 of the show.


I’ve added another presentation, after Youtube algo surfaced it. This contains more details of their personal backgrounds and other scenes from the series.

The Cinematography of The French Dispatch

I enjoyed Wes Anderson’s latest movie, The French Dispatch, but dismayed that the blu-ray didn’t have any extra features like behind-the-scenes.

So this video will do for now until Criterion eventually releases a disc version of this film with more comprehensive look behind the making of this movie.

(Caution: a brief scene with nudity.)

10 Kung Fu Films Sampled by Wu-Tang Clan

Our tongue is like a sword.
Ever wonder where Wu-Tang Clan got their amazing samples from? Watch as Wu-Tang's producer, rapper and founder, RZA, takes you through scenes from "Master of the Flying Guillotine," "Executioners from Shaolin," "The 36th Chamber," "Enter the Dragon," "Five Deadly Venoms," "The Mystery of Chess Boxing," "Ten Tigers of Kwangtung," "Shaolin vs.

When you think about it, Hip-Hop is lyrical Kung-Fu of African Americans.

Post Production Workflow for a Netflix feature film

Although this video is a soft-sell for an online class, it's a great look into a feature film post production workflow (with #Avid of course)

Editor Lawrence Jordan, ACE masters the Netflix show Sextuplets. Compete in FilmSupply Edit Fest ($80K prize pool): https://thisguyedits.com/editfest Become an Assistant Editor with Master the Workflow (course): https://thisguyedits.com/mastertheworkflow Use Discount Code: TGE50OFF Lawrence Jordan, ACE is a veteran feature film and television editor who has worked with many of the top creatives at the world's largest entertainment companies, including Time Warner, Sony, Fox, MGM, HBO, Netflix and Disney.